Wednesday, August 31, 2011

Walter Mason Takes Us on a Spiritual Journey Through Vietnam - Adyar Bookshop Sept. 29

A Spiritual Journey Through Vietnam
Adyar Booksop
99 Bathurst St (Upstairs)
Sydney
6.30pm Free Entry
Thursday 29th September



Join Walter Mason, author of Destination Saigon, on an incredible illustrated journey through the rich spiritual life of Vietnam.
Walter will be talking about the diverse mystical traditions of the Vietnamese people, from the stark discipline of Zen Buddhist monasteries to the wild colour and controlled chaos of Cao Dai, the indigenous religion of southern Vietnam.
This is a rare opportunity to see unknown and hidden parts of this beautiful country and discover aspects of Vietnam's culture and history that you'll never discover in a travel guide.


Private shrine inside a senior Buddhist monk's room, Vietnam.




Outdoor shrine to Maitreya, the Buddha of the future, Central Vietnam.



Statue of the Earth Mother, a folk religious figure, Ho Chi Minh City.


Shrine to Kwan Yin, the Goddess of Mercy, Hoai Nhon.

Saturday, August 20, 2011

Entrance, Benedictine Monastery, Thu Duc



A place I spend a lot of my time in Vietnam is the Benedictine monastery in Thu Duc, just outside of Ho Chi Minh City.
It is hidden down a quiet, sandy laneway, and taxis can almost never find it.
It's the perfect place to spend a day, though it can get a little busy - people seem to come from everywhere to visit this place.
I mention the monastry a couple of times in my book, Destination Saigon. It's the place where the monks drag out the big mahogany chairs whenever I come to lunch.

Thursday, August 4, 2011

A Di Da Phat



This is a pic of the Amitabha Tower that my friend designed and built at his temple in Quy Nhon City after he had a prophetic dream.
Amitabha Buddha is the central focus of worship in Vietnamese Mahayana Buddhism. The worship of Amitabha is a characteristic of the Pure Land School of Buddhism, though in reality it is very rare for any particular school to be practiced exclusively in Vietnam. Most teach a combination of various schools, which is the prevalent mode throughout East Asia, including in Korea, Hong Kong, Taiwan and China.

Monday, July 25, 2011

Best-Ever Booklist for People Who Want to get Serious About Their Writing


Writers need to read. Full stop - there is no way out of it. And what do you need to read? Well, I always tell people to sit down and read the current top 10 bestsellers in the genre they hope to master. Next they need to read the top 10 great classics in the same genre. Finished? Well here is the next part of your curriculum:

Building a Platform

The Frugal Book Promoter by Carolyn Howard-Johnson - "acting as if" is immensely important, and a lot of the excellent advice in this book can be put to work before you have a book

101 Ways to Promote Yourself by Raleigh Pinskey - could be seen as corny and a bit old, it has, nonetheless, given me some excellent ideas

Guerrilla Networking by Jay Conrad Levinson and Monroe Mann - quite remarkably useful

Facebook Marketing for Dummies by Paul Dunay

Celebritize Yourself by Marsha Friedman

How to Work a Room by Susan RoAne

How to Sell Yourself by Joe Girard



Inspiring Yourself as a Writer and Learning Your Craft

Writing Down the Bones by Natalie Goldberg

On Writing by Stephen King

Bird by Bird by Anne Lamott

On Becoming a Writer by Dorothea Brande

Writing the Sacred Journey by Elizabeth J. Andrew

Reading Like a Writer by Francine Prose

Rip the Page by Karen Benke

Is There a Book Inside You? by Dan Poynter - particularly helpful early on in the process
The Way In by Rita D. Jacobs
The War of Art by Steven Pressfield


More General, but Perfect for Inspiration:

The Success Principles by Jack Canfield

Getting Things Done by David Allen

Making Ideas Happen by Scott Belsky

Experience Your Good Now by Louise L. Hay

The Creative Life by Julia Cameron

Excuses Begone by Wayne Dyer

This Year I Will by M. J. Ryan



Wednesday, July 20, 2011

The Young Spiritual Explorer


This photo harks back to 1996, when I was an earnest young (ish - I was 26) Buddhist on a quest for enlightenment. I had quit my job and travelled to Vietnam in the hope of ordaining temporarily as a Buddhist monk, though this proved to be impossible for various reasons. In retrospect it was also probably very fortunate, as I was a particularly immature 26yo, and any foray into monasticism would almost certainly have been disastrous.

Ever since my first visit two years previously, Vietnam had been calling me back, and on this trip I had also thought about writing a book. What would I have said if I'd known the book in question wouldn't eventuate for another 14 years or so! I probably would have been cutting and contemptuous of the future me - I was that kind of guy at the time.

I was still labouring under an idealised vision of Buddhism, formed by my exposure to the Western Buddhist scene and to the literature of Buddhism in English, both of which emphasised the meditative, transcendent aspects of Buddhism. Once I was immersed in Buddhist culture in Vietnam I quickly realised that I'd learned and read about Buddhism was so divorced from the lived reality as to be basically the stuff of fantasy - something that Buddhist scholars are beginning to realise and write about now.

What I discovered instead was practicality, chaos, a great deal of gossip and communities focused on prayer, ritual, celebration and social welfare. All of this was an enormous disappointment to the young me, who had hoped to spend the rest of his days meditating.

Before I'd left on my quixotic journey I had travelled out to Canley Vale in suburban Sydney to consult with a monk who had just set up a house temple there. I had demanded to know where I could find a temple in Ho Chi Minh City where meditation was emphasised. The monk, who is now a friend, looked at me rather worriedly, changed the subject and made me eat some mandarins. But after some more small talk I pressed on: Where could I meditate in Vietnam?

In desperation he shuffled off into his room and came out witha big red book which would subsequently become my greatest resource: Vietnam's Famous Pagodas.





I now own two copies of this book - one for reference in Australia and one in my room in Vietnam. Unfortunately I think it is now out of print, as I haven't seen it in a shop in Vietnam for years. The venerable monk photocopied several pages out of this book, perhaps at random, and assured me that I would find what I was looking for here.

And so I found my way to this outdoor shrine to Amitabha at the Quang Huong Gia Lam monastery in Go Vap District. It is nestled in next to Tinh Xa Ngoc Phuong, a massive nunnery belonging to Vietnam's indigenous Buddhist order, the Tang Gia Khat Si.





I had almost no Vietnamese at the time, and no-one there spoke any English, and so my regular visits would cause quite a panic. And though I hope I am not slandering the monks, I never did catch any of them at meditation, at any hour of the day or night. So instead I would loiter in the gardens or in the monastery library, reading or writing in my journal. And there I made friends, the kind of wordless, communication-less friends you make when you don't share a common language - sometimes these are the most wonderfully romantic friends. The monks shared their meals with me, saved treats for me and peppered me with questions I couldn't understand.

And I began to see that maybe, just maybe, meditation was not the be-all and end-all of Buddhist life - that perhaps there were other ways of practice, ways that involved living respectfully in community, of studying and working. And caring for odd, dumb strangers who stumble into your midst.

Friday, June 17, 2011

5 Reasons Why Authors Should Speak at Service Clubs



Last week I went to speak to the women's Probus Club at Mona Vale, and I had the most fabulous time. The ladies were friendly and interested, they asked intelligent questions, they bought the book and they treated me to lunch afterwards. Now how many author gigs are as satisfying as that?
Some first-time authors have questioned whether such events are worth their while, wondering out loud if the time and effort (and yes, it takes both) pay off.
I am of the opinion that they do, well and truly, so here are my Top 5 Reasons Why Authors Should Speak at Service Clubs:

  1. Book Sales - Out of all the events I do, I find that I sell most copies at service club talks. The people that belong to these clubs tend to be readers, and the kind of reader that is interested in expanding their horizon. If you have spoken engagingly and interestingly, they can easily be persuaded to buy your book. I make sure I have a nice display of my book placed prominently; with a notice saying how much it is (some people are too shy to ask). I also use gorgeous fabrics to make the table look a little more interesting and exotic, and bring in one of my Vietnamese statues to be a talking point, and to bring people's eyes to the books for sale. I normally mention subtly during the talk that the book is for sale, but I also try to get whoever is introducing and thanking me to mention it as well. There is an excellent article by Stephanie Chandler on how to sell the book at the back of the room that I always consult - have a read. Once the talk is over I plonk myself down next to the display, pen in hand, and wait for the line to form.
  2. Brand Building - No matter where the club is situated, the people who belong tend to be the movers and shakers in their community. I find they buy books not only for themselves, but to give to family and friends who they think might be interested. And remember, particularly if you are speaking to a group of retirees, you are not just talking to them. Indirectly you are talking to their children and their grandchildren, and they could well become your advocate to the younger members of their family. If they liked you they will talk about you, and keep an eye out for you in the future.
  3. Getting More Speaking Engagements - Once you have wowed one group you will find yourself suddenly getting invites from other groups all around the city. Speaker organisers tend to know one another, and will phone around if they "discover" someone new. This provides a publicity-hungry author with an amazing network, and a whole host of new opportunities to hone their skill as a speaker. Probus keeps an official list of available speakers, and you can ask to be put on that. I'm not sure if other clubs do the same - would like to find out.
  4. Testing New Stories and New Material - Club talks tend to be far longer than most author presentations (normally around 40 minutes to an hour), and so offer an opportunity to try out some new stories in addition to your tried and tested, guaranteed fabulous, shtick. If people react well to a new story, you know you are on a winner. I also find that the questions I get are actually quite stimulating, and give me clues as to what I might need to develop in my future work, or what I could turn into a blog article or eBook.
  5. Contributing to the Community and Giving Authors a Good Name - OK, I know altruism is not normally a consideration when it comes to self-promotion, but it is worth remembering that the clubs are service clubs, and contribute a tremendous amount of money and energy to good causes. Through entertaining their members you help encourage more people to join and to become actively involved, and that is no small feat. By giving your time and talent freely you are contributing further to the club's good work, and helping members realise that writers are also a magnanimous, humanity-loving bunch.

Sunday, June 5, 2011

Vegetarian Fundraiser, Vinh Nghiem Vietnamese Buddhist Temple, Cabramatta, Sydney




A major form of fundraising for the multitudinous Vietnamese Buddhist temples in the suburbs of Sydney is the big vegetarian banquet.




These are immensely popular community events, with singers, raffles and legions of bored looking husbands standing out the front of the temple, smoking.
The noise is almost deafening, and you have to shout at everyone you meet, including normally quiet monks and nuns.




These crowded, noisy events are usually not for me. I prefer the temple when it is quiet and when there are fewer people around.
But for those who have less time to visit the temple at irregular hours, these special days provide a welcome opportunity to cultivate some good karma, have some lovely traditional food and kick back with friends while listening to some old tunes.